So, I think she’s all finished.  I am pretty happy with how this turned out.  I wish my photographing skills were as deft as my painting ones, but I guess that’s why I have genius friends like Sara Stathas to shoot my work.  I’m taking the lot of these paintings down to her pad in NYC in a couple of weeks to get proper slides taken.  I still say “slides,” because “digital image files” doesn’t sound as street-tough.

I’ve started a new painting that I’ll post tomorrow.  After writing how I began this  Gary painting this week, I took a slightly different approach to this newest one.  I structured it in a more traditional way.  It’s taken a lot of restraint to not over-paint the thing, but I did so as a matter of conducting a comparative analysis.  It’s science, you see.

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Hello, beautiful people of the interwebs!  I got back from visiting Meg in Annapolis yesterday, and got down to painting this afternoon.  Meg is doing great, healing well and quickly.  Her parents are an absolute treasure.  I suggest that if you are injured for any length of time, go do your convalescing at their house.  Words can’t explain how great and kind and loving they both are.  If you have a sloth addiction, Meg’s parents will be your best enablers.  Care for a snack?  Don’t mind if I do.  Can I get you another glass of tea?  Why thank you, Mrs. O’Brien.

So I got down to working today.  I took these pictures of the painting in progress to give you a sense of how I begin a painting.  These three pictures show my underpainting process.  The great master’s used a painting process called grisaille, a monochromatic underpainting that indicate the values of the composition.  I use elements of grisaille, but I incorporate a fuller palette in my initial underpainting.  My underpainting process is looser and thinner than my regular painting process, and it allows me to build the final painting on top of it.

I’ll post the in progress photos of this painting throughout the week.  That way, we can enjoy the two-dimensional pictorial construction of Gary, Indiana together.

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This is a painting from photos taken in Gary.  This is the first painting where I’m taking several shots and combining into a single composition.  I didn’t change much, but enough where the images are working better as paintings than as photographs.

When Misia and I got back from our trip, we told our neighbors about our stops in Detroit and Gary.  The wife of the couple said, “Gary?  I thought that was just a song from ‘The Music Man.’”  Yep.  On that note, I really hope Angelina Jolie kills it in her version of “Shoop” tonight.

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I’m back from a couple weeks off, and below is a list of things I learned on our trip to the Midwest.  I will be back in the studio tomorrow, so the paintings will come soon.

1.  Road trips are the jam.  Steak ‘N Shake will always do you right, and the rotary clubs give out free coffee on holiday weekends.  On our way to Milwaukee, we stopped in Gary, IN because we realized it was the anniversary of Michael Jackson’s death.  We went to his house where there was a media platform and a statue-unveiling and neighbors selling barbeque.  But better than the Jackson show was Gary itself.  It is amazing to see a city like that in the U.S. that was left to die.  It’s the familiar tale of a one-industry town that was crippled when the steel mills closed.  It’s shameful to think that it’s a half hour away from Chicago, yet it looks like a war zone.

2.  Detroit.  Holy macaroni, Detroit.   I thought Gary was intense until we rolled into Detroit.   It’s a sincerely amazing American spectacle.  You can tell that there was at one time so much money in that town that they didn’t know what to do with it.  Most of the buildings are so completely overbuilt, and now that they’re abandoned, they resemble hulking, overbearing tombs.   The people are visibly disenchanted, but it’s got a swagger to it, Detroit does.  There was a burned-out house that someone painted one side pink, and then wrote, “BRAD AND ANGIE AREN’T COMING.  WE HAVE TO DO IT OURSELVES.”  Damn.

3.  I think that my wire paintings are going to focus on the images I gathered in Gary and Detroit.  Somehow the telephone wires served not as beacons of industry and connectivity, but rather the last indication of life and hope.  Like a heartbeat monitor still picking up a pulse.  These cities are not dead, but they are severely injured.

4.  When I go to Milwaukee, I never see as many people as I think I should visit.  I am first crippled with guilt, but then I think how refreshing it is to not be in my 20’s anymore.  In your 20’s, you are expected to maintain dozens of friendships.  But I don’t like to hang out in bars so much anymore, bullshitting about whatever to people I could take or leave.  I am 35 and have very few, but much cherished, friends.  I like that.

5.  The best part of our little adventure is that Misia is now totally on board with road trips.  She wants to drive through Appalachia and on to New Orleans.  She wants to go to Montreal and Quebec City.  She didn’t wince at the thought of driving out west.  This is ON TOP of the fact that she bought me a ticket to a Tigers game.  One thing I’ve always wanted to do is go to a baseball game by myself.  So she got me a ticket four rows behind homeplate and told me to go have a good time.  Unreal.  So to sum up, the best things about the summer are: driving, the cities of the Rust Belt, rotary clubs, and Misia.

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